As a child, you had quite a knack for discovering the extra lives that were hidden throughout virtual worlds. You always knew which waterfalls to look behind, which walls to reach through, and even what pottery to break- yet for some reason, you never found the ones that we left behind specifically for you.

My apprentices have arrived with thirteen jars of pineapple jelly, and one by one, they pour them into the cauldron. Tonight, I’m teaching them a recipe that I learned while temporarily dead, during which time I worked in the underworld’s highly competitive seafood scene. The golden ooze begins to bubble as saltwater and black rum are added, combining into a thick, honeyed lava. I dip my sword into the concoction and stir it gently, watching wounds form and heal along the surface of the mixture.

You’ve come to this forest in search of the creature known as "sasquatch." By now you’ve learned that he is human; at least, by some definitions of the word "human." His flesh has been warped by years of long-exposure photographs, and his skin has blurred into a pareidoliac wool. A grotesque thumbprint remains where once there may have been a face, neither able to see nor speak.

The old man loads another cartridge of glimmering sand into the dreamthrower, then takes aim. Each of its three scopes rattles into alignment as he turns the crank, wrapping a collection of infrared crosshairs around the teenage skateboarder’s face. His weapon’s ribs glow brightly in the midnight fog. “God damn insomniac kids,” he yells. “For the last time, stop fucking around with the city’s circadians!”

After a decade of fighting crime, the city’s first hero was forced to wear his cape as a sash. The goldenrod dye used during its manufacturing had faded to gray from years of exposure to direct sunlight and acid rain. Though knives and bullets could not pierce his skin, they left jagged, butterfly patterns in the knitted cotton. Eventually, the time came to bury him, and there was nothing left with which to cover his coffin.

A closer look at the fluid inside the jar reveals that it is, in fact, alive. Magnetic ants have formed a colony within, and are living in extremely dense quarters, crawling all over each other’s bodies. It is difficult to discern at a glance where their tunnels end and the insects begin.

    She’s going to wear all six of her faces tonight, and needs something that’ll pull them together. The cloud that emerges from her little black bottle isn’t exactly a vapor. Thousands of tiny knots in space-time erupt from its nozzle, clinging to her skin and bending the light around her wrists. No physical matter is involved in the formula; it’s all a trick of subjective geometry. At this point it is nothing more than the empty fragrance of a hypercube: a hollow presence which the nostrils can experience, yet cannot understand.

You remember Utah, and how the mountains were reflected in the pale mirror of the salt flats, and how the salt flats were reflected in the pale mirror of the sky, and how the road, with nowhere else to go, was reflected into itself. You remember exiting onto the lonely stretch of concrete and tar that was I-13 as you made your way towards Reno, sleepless and broiled, your own pulse visible in your peripheral vision.