VAULTGULLS

UEL ARAMCHEK

Among believers, vaultgulls are said to possess golden feathers, as well as eyes of black crystal; then again, they are also said to have never before been seen, so such descriptions ought to be met with skepticism.

For these clever birds, all that is unseen is the sky; their wings slide cleanly through metal and stone as easily the wind. The only solid surface they know is the periphery of human vision, the greatest obstacle to their shimmering wings. The subtlest twitch of a single eye is enough to thrust them aside like a hurricane's gales.

THE PARARANG

UEL ARAMCHEK

The pararang’s body is wrought from an alloy of aluminum and neutronium, the latter of which grants it the strange gravity of a dying star. From the perspective of the person who attempts to throw it, it presses back against their palm with equal force, and never actually leaves their grip. This serves as an indication that it is working as expected.

THE HOLY ASTEROID

UEL ARAMCHEK

At times she was known as Ararat, at others, Meru. When seen from Greece, she was known as Olympus, and in the time of Gilgamesh, she was known as Nimush. Her peak reached such unimaginable altitude that it could be seen from all the nations of the world, even those that were a hemisphere’s arc away. This summit was said to be the exact point where heaven and earth intersected, and as such, only the holiest among the living were allowed to climb her thousand faces.

GLOSSARY OF THE BIRDS

UEL ARAMCHEK

The laws of nature are said to be written in the same language that birds sing their songs in. Mastery of this secret tongue has only been claimed by a handful of human beings over the centuries, and even they could neither speak it nor translate it, only understand it.

THE DREAM EATER

UEL ARAMCHEK

The wig, if it can indeed be called such a thing, is wrought from solid pewter. Its unfurled locks remain fixed against shoulders unseen, draped around a missing skull. Its curvature clearly suggests an upright posture, folding over both the front and back of a torso, then outward over the implied bosom. It was apparently cleaved from the surface of an ancient statue, though the whereabouts of this artifact are unknown.

MOUNTAIN DRINKERS

UEL ARAMCHEK

For the alchemists of the Renaissance, it was a well established fact that mercury was to the metals as blood was to the body. Though the untrained knife would often bend or break while attempting to find untapped veins, a skilled practitioner could find a pulse within any ore, and draw forth a fountain of quicksilver with a single, well-placed incision. Every metal could be made to bleed this same lustrous ooze, from profane lead to sacred gold.

SLY-FI

UEL ARAMCHEK

“The greatest literature is that which needs neither be written nor spoken. Tell me, Henry, have you ever explored the genre of ‘silence fiction?’”

“Hmm. No, I can't say that I’ve never heard of such a thing.”

“Are you sure? Some people refer to it as sly-fi.”

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